Relax mode sits deliberately between Focus and Sleep: more movement in the chord progression than Sleep allows, less structure than Focus needs, built for the hour after work ends and before the evening actually winds down. Every preset below is one of StillTune's Official Sound DNA recipes, composed live rather than looped from a recording, and each one leans on a different combination of noise floor and outdoor texture rather than a different melody underneath.
Calm is close to the mode's own default: brown noise with rain sitting under a fairly lush pad, nothing about it demanding attention either way. Warm Glow uses the same rain-and-brown pairing but opens the bells and reverb up further, so more melody floats on top. Think of it as a lighter, brighter cousin of Calm rather than a different idea entirely. Golden Hour goes a step past that, dropping rain for brown and pink noise together with the most melody of anything in the mode. If fire suits you better than weather, Fireside and Emberlight both build around a crackle texture. Fireside keeps it quiet enough to just warm the room without demanding notice; Emberlight runs denser and more active, with the fire doing most of the work and less brown noise underneath. Water shows up two ways: Tidewash and Shoreline both strip the drone out entirely and let waves carry the preset alone, Tidewash slower and bigger, Shoreline closer to actually sitting near the coast, while Stillwater keeps brown noise under a slower wave pairing for something between the two. For anyone who wants air over water, Open Meadow and Meadow Wind both push wind to the front. Open Meadow pairs it with brown noise and a wider stereo image; Meadow Wind swaps in pink noise for a softer, more open floor. Forest Rain and Woodland Rain round out the set: Forest Rain drops brown noise altogether, just rain and wind moving against each other for something closer to actually standing outside, while Woodland Rain runs denser rain with the wind pulled back to almost nothing. None of the twelve is a strictly better or worse version of another. They're tuned for different rooms and different evenings, which is really the point of publishing this many rather than picking one official Relax sound and calling it done.
The bell pattern here fires roughly every twenty to forty seconds: closer together than Sleep's once-a-minute pacing, looser than Focus's tighter, task-oriented spacing. The chord progression cycles through five voicings instead of four, so a half-hour session actually moves somewhere instead of holding one mood the whole time. Stereo width is set higher here than in Focus, close to what Sleep uses, but the reverb tail is shorter: about eight seconds of decay against Sleep's nine and Deep Sleep's twelve. That's what gives the pad room to breathe without turning into the kind of dense, enveloping wash you'd want right before actually falling asleep. It reads as spacious rather than heavy, which is really the difference between Relax and its two neighboring modes in one sentence.
As with every mode, nothing here is a downloaded file: StillTune stores the score and performs it live, so a Relax session keeps generating fresh phrasing for as long as it runs.